“It is fascinating…to follow [her] attempts to rid herself of the obstacles which prevent her painting”
– Anna Freud, 1950
Sarah brought me a book the night we were previewing her install: On Not Being Able to Paint. It’s a reflection on creativity from the 50s, by psychoanalyst Marion Milner. I appreciated the timing: about to go public with her first big foray outside painting proper, she produced a treatise about what it means to not paint.
So far, I’ve read only the introduction the book, which Sigmund’s daughter Anna Freud – an important psychoanalyst in her own right – contributed. Analogizing the therapeutic situation and the painter’s context, Freud notes that both psychological and creative breakthroughs require dedicated spaces for uninhibited work.
The residency attempts to proffer such a space, and within that space, Sarah made another one. Within the venue, she delineated a corner for her installation…
View original post 329 more words